Music

Song Travels
10:45 am
Fri October 17, 2014

Charenee Wade On 'Song Travels'

Charenee Wade.
Frank Stewart Courtesy of the artist

Jazz vocalist Charenee Wade began singing at 12 and learned from jazz luminaries such as Carmen Lundy and Christian McBride. Her clear voice and impressive technique landed her first runner-up in the 2010 Thelonious Monk competition, and she followed this success with her debut album, Love Walked In.

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Marian McPartland's Piano Jazz
10:19 am
Fri October 17, 2014

Cassandra Wilson On Piano Jazz

Marco Glaviano Courtesy of the artist

In this 1999 episode of Piano Jazz, recorded live at the Museum of Television and Radio in New York City, host Marian McPartland welcomes in vocalist Cassandra Wilson for an hour of jazz standards.

Wilson is known for the enormous range of emotion in her performances. She delights with an array of tunes, joining McPartland and bassist Peter Washington for "Surrey With The Fringe On Top" and "Old Devil Moon."

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Jazz Night In America: The Radio Program
8:36 am
Thu October 16, 2014

Reimagining Brubeck

Dave Brubeck performs in 1982.
Ralph Gatti AFP/Getty Images

The late pianist Dave Brubeck left jazz with incredible performances, recordings and advocacy — as well as a large body of compositions. His iconic music is reimagined by members of the Jazz at Lincoln Center Orchestra.

Jazz Night in America explores various Brubeck compositions, discussing the decisions the arrangers made when approaching the material. Also, we unearth recordings from Jazz at Lincoln Center's archive of Brubeck himself performing with the Orchestra.

Jazz Night In America: The Radio Program
8:23 am
Thu October 16, 2014

To Miles, From Wayne

Wallace Roney leads a performance of Wayne Shorter's "Universe" at the Detroit Jazz Festival.
NPR

In the late 1960s, when trumpeter Miles Davis was leading his famous second quintet, saxophonist Wayne Shorter wrote a series of new works featuring Davis with orchestra. When the quintet broke up, Shorter put the scores away.

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Field Recordings
5:31 am
Thu October 16, 2014

The Fastest Fingers At The Festival, For Django Reinhardt

The Django Festival All-Stars.
NPR Music

Every year for the last decade and a half, select groups of hot swing musicians have come from Europe to tour the U.S. The exact lineups change, but they all feature masters of the "gypsy jazz" — or jazz manouche — style pioneered by guitarist Django Reinhardt. In fact, they're billed under the banner of New York's Django Reinhardt Festival.

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Marian McPartland's Piano Jazz
8:17 am
Fri October 10, 2014

Benny Green On Piano Jazz

Courtesy of the artist

Hard bop pianist Benny Green was mentored by Walter Bishop Jr. and has appeared on more than 100 recordings, with artists such as Betty Carter, Milt Jackson and Diana Krall. In 1993, Oscar Peterson chose Green to receive the Glen Gould International Protégé Prize in Music.

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Jazz Night In America: The Radio Program
11:38 am
Thu October 9, 2014

Behind Wynton Marsalis' Afro-Cuban 'Ochas' Suite

Percussionists Clemente Medina, Román Diaz and Pedrito Martinez perform with the Jazz at Lincoln Center Orchestra.
Frank Stewart Jazz at Lincoln Center

Originally published on Thu October 16, 2014 8:49 am

To open its 2014-15 season, Jazz At Lincoln Center welcomes the world premiere of a work by managing and artistic director Wynton Marsalis. Ochas, for big band and Afro-Cuban percussion, features special guests in the commanding pianist Chucho Valdés and percussionist, vocalist and Santería priest Pedrito Martinez. With the Jazz At Lincoln Center Orchestra, they blend jazz with the traditional folkloric and religious music of Cuba.

Jazz Night In America explores how the new suite of music came to be.

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Jazz Night In America: Wednesday Night Webcasts
8:04 pm
Wed October 8, 2014

Johnny O'Neal: Live at Mezzrow

Johnny O'Neal.
Michelle Watt Courtesy of the artist

Originally published on Thu October 9, 2014 9:35 am

Pianist and singer Johnny O'Neal never learned to read music, but didn't really need to: He was one of Art Blakey's Jazz Messengers and even convincingly imitated the fast-fingered Art Tatum in the biopic Ray. Now, after decades off the scene — and with his health under control — he's re-establishing himself in New York as an incredible old-school performer.

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Jazz Night In America: Wednesday Night Webcasts
8:04 pm
Wed October 8, 2014

Very Very Threadgill

Henry Threadgill.
Nhumi Threadgill Courtesy of the artist

Originally published on Thu October 9, 2014 9:33 am

The saxophonist and composer Henry Threadgill, 70, has long been an standard-bearer for boundary-crossing music. In his wildly creative work, inspirations as disparate as rags, calypso and funk transmogrify into unique frameworks for improvisation. Pianist Jason Moran is one of his loyal fans — Threadgill is his favorite composer, he says — and programmed this two-night tribute, gathering both Threadgill sidemen and up-and-comers to perform works from throughout Threadgill's career.

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Jazz Night In America: Wednesday Night Webcasts
8:04 pm
Wed October 8, 2014

Miguel Zenón's 'Identities Are Changeable'

Miguel Zenón.
Jimmy Katz Courtesy of the artist

Originally published on Thu October 9, 2014 9:24 am

Miguel Zenón possesses rare talent, both for the level of his alto saxophone virtuosity and the ability to make complex compositions immediate and accessible. But he's but one of many who moved to New York City to pursue jazz. And he's one of over one million New-York-area residents of Puerto Rican origin.

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Jazz Night In America: Wednesday Night Webcasts
8:01 pm
Wed October 8, 2014

Blue Note At 75: The Concert

Dr. Lonnie Smith at the Blue Note 75 concert.
NPR

Originally published on Thu October 9, 2014 9:20 am

The iconic jazz record label Blue Note Records reached its 75th anniversary this year, and celebrated with an all-star concert featuring artists from its rich history and bright present. Wayne Shorter, McCoy Tyner, Lou Donaldson, and Bobby Hutcherson, whose Blue Note LPs defined a generation of jazz, were on hand; Jason Moran, Robert Glasper, Joe Lovano and Norah Jones also took up the torch, among many other musicians.

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Jazz Night In America: Wednesday Night Webcasts
8:01 pm
Wed October 8, 2014

Highlights From The Detroit Jazz Festival

Wallace Roney.
Courtesy of the artist

Originally published on Tue October 21, 2014 10:03 pm

In the late 1960s, saxophonist Wayne Shorter wrote a number of large ensemble works for his employer at the time, trumpeter Miles Davis. They were never recorded, and eventually forgotten. Decades later, Shorter, now considered one of jazz's greatest composers, dug up the music and handed it over to trumpeter Wallace Roney (a protege of Miles Davis) to breathe new life into the charts. Roney presents that suite of music — or what he could before rain showers interceded — on this webcast of Jazz Night In America, live at the 2014 Detroit Jazz Festival.

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A Blog Supreme
7:55 pm
Wed October 8, 2014

What Is Jazz Night In America?

NPR

Originally published on Wed October 8, 2014 8:00 pm

Along with NPR Music's partners at WBGO and Jazz At Lincoln Center, we're proud to announce a new public media initiative: Jazz Night In America. You can check it out on your local public radio station, as well as online at npr.org/jazznight.

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Music
1:58 pm
Wed October 8, 2014

Art As Conversation: Three New Collaborative Albums

Nels Cline and Julian Lage's new collaborative album is called Room.
Courtesy of the artist

Originally published on Tue October 14, 2014 1:37 pm

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Jazz Night Concerts
8:51 am
Tue October 7, 2014

Jazz At Lincoln Center Opening Night

Dreiser Durruthy Bambolé (left) and Yesenia Fernandez Selier dance in front of the Jazz at Lincoln Center Orchestra.
Frank Stewart Jazz at Lincoln Center

Originally published on Thu October 16, 2014 8:39 am

Building on the Jazz at Lincoln Center Orchestra's recent trip to Cuba, managing and artistic director Wynton Marsalis presents his newest large-scale work: Ochas, a suite for big band and Afro-Cuban percussion. He calls upon young superstar Pedrito Martinez, who brought along a trio of fellow hand percussionists, to execute the chants and rhythms of the batá drums specific to Santería religious practice. And he called upon virtuoso Cuban pianist Chucho Valdés to ignite the proceedings.

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